See also: Ghost in the Shell, Prince of Persia, Dragonball: Evolution, The Last Airbender, and so on. The second of these two things is a serious matter to discuss and the film unintentionally highlights Hollywood’s fascination with assuming that Americans can’t relate to a character unless they’re white and male. Soon, the student-turned-vigilante finds himself pursued by a famous detective known only by the alias L.īased on the highly successful Manga of the same name, 2 017’s Death Note will always be synonymous with two things: being one of Netflix’s first forays into big budget filmmaking, and repackaging a Japanese story to sell it as a whitewashed tale for the US. Light decides to launch a secret crusade to rid the streets of criminals. While we don’t get enough scenes to fully buy into L’s relationship with Watari, the scenes between Light and James successfully build a father and son bond between them.Light Turner, a bright student who stumbles across a mystical notebook that has the power to kill any person whose name he writes in it. Mia chooses her own fate, even if it leaves death and destruction in her wake, Seasoned performers like Paul Nakauchi and Shea Whigham brought dignity and life to their supporting roles as as L’s assistant, Watari, and Light’s father, James Turner, respectively.
Mia isn’t passive and at times her feelings for Light are more ambiguous than one-sided. This time, she is more of a true partner to Light in his quest to remake the world through his Death Note, and she goes even further than he does. For this version, the character is called Mia, and she’s played by The Leftovers’ Margaret Qualley. The new Death Note adaptation also greatly improved upon Misa’s story in the film. He really did look like a manga demon who came to life. Wingard wisely kept most of Ryuk’s appearances in shadows, and Ryuk's creepy visage gave him a unique presence in the movie. Dafoe absolutely devours the role and chews the surrounding scenery, but he is so entertaining that he only enhances the film. It’s incredibly difficult to take either man seriously in their respective roles.įortunately, Wingard nailed the casting of Willem Dafoe as the voice of Ryuk, the demon who sent the Death Note to Light. Similarly, Lakeith Stanfield’s antics as L are so over-the-top that they border on parody. While Nat Wolff is only 22, he seems much older than the teenager he portrays on screen and his goofy facial expressions undercut Light’s dramatic moments.
Unfortunately, both of the leading actors are the biggest weakness in this film. For most of the movie, L hides both from his target. With the Death Note, Light can kill anyone as long as he knows their face and their name.
2017 death note rules movie#
The movie is an extremely condensed version of the battle of wills between the keeper of the Death Note, Light Turner, and L, a police detective determined to unmask Light as the serial killer known as Kira. At Comic-Con, Wingard expressed his hope and belief that his movie would buck the trend of low-quality American anime remakes.
Director Adam Wingard (Blair Witch, You're Next) took the helm of the American adaptation, which is coming to Netflix next month.
2017 death note rules series#
Death Note is one of the most popular manga series in the world, and it has already been adapted as an anime series and as a live-action movie in Japan. The movie premieres on Netflix on August 25. Netflix held an advance screening of Death Note at San Diego Comic-Con 2017.
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